The Ground Work equipment and facilities represent more than just a company gear list.   They are the tools of the trade we have at our finger tips daily and that makes an impact in our ability to create for our clients.  This advantage plays out in many ways from competitive rental rates, short notice work, reliability of equipment, ease of testing, prep work, etc.

In addition to our own equipment list we have extensive relationships with rental houses all over the country and regularly expedite lighting, grip and camera gear to meet the needs of our productions.  If we don’t own it, we’ll get it.


Canon 30-105mm Lens

In-House Cameras and Glass


2x CANON C300 MK III 4K resolution up to 120fps.

1x Canon R5 Mirrorless Camera.

2x CANON – 1x – 5D mkIV, 1x 5D mkIII .

6x GOPRO – (4)GoPro7 (2)GoPro8.


1x DJI Mavic Pro 2 Drone

1x DJI Inspire 2 Drone


Fujinon Cabrio Cinema Zoom Lenses – 19-90mm V2, 85-300mm

Canon Cinema Lenses – 30-105mm zoom, 14mm prime

Sigma Cine Lens – 18-35mm

ROKINON DS Cine Primes – 10mm, 24mm, 35mm, 50mm, 85mm

2X  CANON L-series – 16-35mm, 24-70mm, 70-200mm, 100mm macro.

Camera Support

One of the operating specialties of Stuart’s work is being a steadicam operator.  It is complimented to Andrew’s history as a 1st AC and focus puller for a number of steadicam operators, including NFL Films.  These skill sets match well together and allow us to create as a team on projects ranging in scope from day-players to full in-house productions. We consider camera movement an important part of the visual language in cinematography.  Each moment and story can be impacted with the right choice.  In addition to the steadicam, our in-house arsenal for movement also includes an easy-rig,  jib, motorized slider, shoulder rigs, dolly/track and gimbal.

1x STEADICAM – GPI PRO (70lb max-capacity) complete with paralinx downlink, follow focus, etc.
1x EASY-RIG – Vario 5 (38lb max-capacity) Includes the Serene stabilization system.
1x Movi M15 Gimbal Stabilizer
1x KESSLER – Jib with  8′, 12′ and 18′ extension builds. Complete with Tripod, wheels, dolly track(25′)
1x DANA DOLLY – with Matthews Dolly Stands


One of the keys to telling an effective story is good, clean audio.  More often than not, high quality captured audio is the difference between success and failure in our business.  Having said that, we carry a large array of microphones to capture professional quality audio.

2x Lectrosonics UCR411 Wireless Microphone Kits

5x Sennheiser ew 100 G3 Wireless Microphones

2x Rode NG-2 Shotgun Microphones

1x NG-3 Shotgun Microphones

1x Sennheiser MKH 416 Shotgun Microphone with boom and blimp

1x Tascam DR100 mk II recorder

Studio and Lighting

The Ground Work studio is a 3,000 sq. foot sound stage located on 3 fenced acres.   The space is secure with camera and security systems and includes a large infinity space(30 x 40) with lighting grid(30 kinos) as well as other background and set areas.  We utilize this space for many productions from product commercials,  music videos, narrative films and photo shoots.   Having the ability and regular luxury to work in a controlled environment with 20′ ceilings and plenty of space allows efficient execution of our projects and has contributed to an expanded inspiration in our work.   It is more than just a sound stage for us, it is a canvas that we use to explore deeper into our ideas and creativity.

Our lighting and grip equipment is large enough to accomplish most of the in-house work we do.  In addition to a 1/2 ton grip package, we also carry the following lights;

1x Kino Flo (2×4 and 4×4)

1x Tungsten Fresnels (150, 300, 650, 1K, 2K, 12K) with Chimera Soft boxes(3)

1x Litemat 4 S2 LED System

1x Litemat 3 Plus LED System

1x Litemat 2L Plus LED System

1x Lightpanel Gemini 1×1 RGBW LED

2x Lightpanel Astra Bicolor LED’s with Soft boxes 2x Aladdin A-lite LED’s

1x Aputure 300DII COB LED

4x LEDs Fresnels (Felix kit, Practilite)

2x hazers  and specialty lights and practicals.